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I hope martial artists are more
interested in the root of martial arts and not the different
decorative branches, flowers, or leaves.
It is futile to argue as to which leaf, which design of branches, or
which attractive flower you like; when you understand the root, you
understand all its blossoming.
Bruce Lee
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By: Forrest E. Morgan
Living The Martial Way
Published by Barricade Books.
YOUR MARTIAL DESTINY
People often ask me which
martial arts is the best. Knowing I've traveled over the years and worked with
students and instructors in a variety of arts, they want to know if I've found
one superior fighting system that beats all the others.
But more often, people are anxious to tell me which martial arts is the best.
Be it Shorin Ryu Karate, Tomiki Aikido, or any of a hundred other styles; if
they study it, then it's the best. After all, their instructors told them so and
gave them scores of reasons to believe it.
I usually try not to argue with people of this ilk; it's a fruitless as debating
politics or religion. But occasionally I take the time to pass on an old
expression, one familiar to most people who've studied the arts long enough to
understand it: “There are no superior martial arts, only superior martial
artist.”
But there's greater truth here, one more relevant than the merits of specific
arts or the skill of those who practice them. When it comes right down to it,
there are no superior or inferior martial arts, there are only warriors and
non-warriors.
Every society throughout history has been comprised of essentially two classes,
one consisting of those who were not. You could argue that various cultures have
had numerous classes-peasants, merchants, aristocrats, etcetera-and that modern
society is composed of a multitude of strata. But the fact remains, all of these
elements can be categorized as either warrior or non-warrior groups. The reason
our civilization has evolved to this condition is simple: life revolves around
struggle.
It's this very struggle that has led to development of the warrior class. For
not everyone is fit for combat, and as each society develops and its culture
diversifies, the onerous task of defense is eventually delegated to the select
group of individuals most suited for it. Those individuals then proceed to
prepare themselves for their assigned role, protecting their society.
Warriors don't quibble over which system of fighting is the best. For them, the
relative strengths and weaknesses of specific methods are of less concern than
overall objectives of survival isn't important, I'm saying any real warrior
knows that no one system fits everyone's needs in all situations.
All systems are artificial. They are codified methods of teaching and practicing
given sets of skills. A typical martial art was born when a skilled warrior
discovered a set of moves that worked particularly well for him in a crisis.
Wanting to preserve that experience, he then refined those moves and developed a
system to practice them. If his system had merit, it drew the interest of others
warriors and the founder soon had a following.
In each instance of an established style of fighting, what went into the system
at inception was based on what worked for the founder and what he believed would
work for others in similar circumstances. The founder and his warrior followers
practiced the system for what it was, a specific method of combat they believed
would work in circumstances similar to those that spawned it.
Though some warriors specialized , they all practiced more than one art. They
had no illusions that there was any single best style of fighting that worked in
situations other than those for which it was designed. Given a choice, they
never used an unarmed method against a swordsman or a pole fighting style
against an archer. When your ultimate goal is survival, there's no able style of
fighting.
As time passed, many martial disciplines eventually fell into the hands of
non-warriors who practiced them for sport, fitness, or personal self-defense.
Unlike their warrior forebears, these individuals usually studied only one art.
Unfortunately, that led to confusion in times past, and it's even worse today.
People who study a single martial art tend to focus exclusively on the beliefs
of “doctrines” of that art. They often don't understand that those doctrines,
valid though they may be, were developed in response to specific threats and for
fighting in specific situations.
These disciples of a single doctrine tend to shut out ideas from other sources
and convince themselves that theirs is the one true way of fighting, the
ultimate in armed or unarmed combat. As a result, they become slaves to the very
doctrines they profess.
This is quite unlike the warriors who founded the arts these individuals
practice, for warriors never tolerate enslavement to anyone or anything. They
are masters of their own destinies.
This chapter will teach you how to master your own martial destiny. It will
explain the role of doctrine in the development of the various methods of combat
and show you how martial doctrines guide the development of strategy and
tactics. You'll learn the pitfalls of narrow doctrines as you discover how to
dissect and analyze each art. Most importantly, you'll learn to choose wisely
those martial doctrines that guide your training-You will master your own
martial destiny.
DOCTRINE, STRATEGY, AND TACTICS
All martial arts are based on doctrines developed by those who founded them. The
term “doctrine” can best be described as a set of broad and general beliefs. For
our purpose, I'm referring to martial doctrine-the doctrine of personal
combat-rather than the many others such as religious or political doctrines.
The concept of martial doctrine is closely related to strategy and tactics, but
the terms aren't synonymous. Strategy consists of the general or “broad brush”
plans for fighting, developed according to the beliefs of a chosen doctrine.
Tactics, on the other hand, are the specific techniques and maneuvers employed
to carry those plans out. Although doctrine, strategy, and tactics are different
concepts, the warrior's choice of a doctrine has a very direct effect on the
strategies he will develop and the tactics he will use in combat. Let me draw on
some 20th Century military history to illustrate this point.
One of the better known strategies the allies employed in World War II was that
of strategic bombing in Europe. This Strategy came about as a result of a
doctrine developed be army fliers at the Air Corps Tactical School at Maxwell
field, Alabama, in the early 1930's. Those men were fascinated with the many
possibilities of employing in war that new technological marvel, the airplane.
Planes had been around since before World War I, but only in the late 1920s had
powerful enough engines been developed to build large planes able to carry heavy
loads.
In 1933, the first true “bombers” entered the Air Corps inventory, and the
officers at Maxwell were inspired. They developed the theory that given a fleet
of huge aircraft carrying tons of bombs, one nation could pound another into
submissions by bombing its industrial centers to rubble. They supposed that with
sufficient air power, ground forces might not even be needed. The bomber force
would pound and pound the adversary until its industrial base was destroyed and
with it, its ability and will to wage war. This theory became the Army Sir
Corps' strategic bombing doctrine.
As there ideas took shape, the boys from Maxwell took their show on the road.
They presented a series of papers and lectures designed to convince the military
and political establishments of the efficacy of strategic bombing. And, despite
stubborn resistance from the Army general staff, they succeeded. At least enough
so that by the end of the 1930s we were producing the famous B-17 “Flying
Fortress,” a heavy bomber like the world had never seen before.
World War II set the stage to put the strategic bombing doctrine into practice
and gave us a classic demonstration of how a doctrine-nothing more than an
unproven set of beliefs-can drive the development of strategy during war. With
the German controlling nearly all of Western Europe, the allies were left to
fighting them from England. Doctrine became strategy as plans were drawn to bomb
Germany into submissions. Reconnaissance and intelligence provided detailed
information on German industrial centers, and the allies resolved to bomb them
around the clock-the Americans by day and British by night.
As the plans were put into effect, tactics were developed to support them.
Tight formations were employed to make the best use of the bombers' heavy
armament and prevent German fighters from singling out and swarming on lone
planes. When low level bombing proved too vulnerable to anti-aircraft fire, new
bomb sight technology was high altitude bombing was employed. With the demands
of war, heavy bombing strategy and tactics advance years beyond what they would
have in peace, and by 1945, millions of tons of high explosives had been dropped
on German factories.
But what has all that to do with martial arts? Well, let's examine a popular
martial art and see if we can identify some of the doctrines, strategies, and
tactics associated with it. Perhaps then, we can draw some comparisons.
Tang soo do (literally, China hand way) is a Korean martial art practiced around
the world. Like its sister art, Taekwondo, it's similar in technique to Japanese
karate, but due to doctrinal differences, its strategies and tactics are very
different. According to the martial doctrines common to both Korean arts, the
foot is a far better weapon then the hand. A small man's legs are longer than a
large man's arms and stronger than arms of even the largest man. A man's hips
are located near the center of his body, providing a centered pivot around which
the legs can swing. With proper training, the Korean masters reasoned, a man can
learn to use his feet against any target on an attacker's body, as quickly as
and even more powerfully than with the hands.
This kind of doctrine leads to some very distinctive strategy. Attempting to
capitalize on the length of his legs, a Korean strategist sets his fighter range
at a length of his longest kick and often resolves to keep opponents at that
distance, out of arm's reach. The longest, most powerful kicks in the Korean
arsenal are side kicks and round kicks, both thrown from side-facing stances. So
Korean fighting stances tend to be side-facing from the onset, unlike the
front-facing stances usually used in Japanese karate. A side-facing orientation
leads to spinning attacks, making it possible for a fighter to use both feet
from either direction.
These stance stances also lead to some very specialized tactics.
Tactics in personal combat, like those for forces at war, are the specific
techniques and maneuvers needed to apply a strategy successfully. Our Korean
stylist has developed a general strategy for employing his feet effectively;
he'll fight from distance, using
side-facing stances, so he can strike with his longest kicks from either foot.
Now he must develop the tactics to employ that Strategy.
Since his strategy makes him primarily a foot fighter, his tactics will often
involve feinting attacks with his hands, designed to distract the opponent,
while he strikes decisively with his feet. He may also use exotic foot
combinations, snapping kicks at several targets in one step, before striking the
intended vital area. All These maneuvers are devised to employ the strategies of
foot fighting, based on the general belief or doctrine the feet are superior
weapons to the hands.
In both of these examples, we see broad and general beliefs forming the basis of
strategic plans. The Army Corps believed the heavy bomber was the ultimate
weapon, and Tang Soo Do masters believe feet are better weapons than hands.
These beliefs drove plans for the air war in Europe and the Korean fighter's
strategy in unarmed combat. Finally, tactics were developed in each case to
carry out the plans most successfully and with the least risk of loss.
So how do we use this knowledge to make us better fighters? How do we use this
understanding to master our own martial destinies? Well, we start by choosing
the best doctrine on which to base our strategy and our entire approach to
training.
CHOOSE YOUR STRATEGIC FOUNDATIONS
Now that we know that doctrinal beliefs form the basis of all methods of
combat,
It follows that in order to master our martial destinies and become truly
formidable warriors, we must start from the beginning; we must apply a sound
doctrine.
Committing to a given doctrine will determine the art we will study and the
strategies and tactics that will follow. But how do we go about selecting a
doctrine to embrace? Well, a fundamental element of strategy is analysis, and
the warrior approaches this problem, like all others, strategically. To select a
martial doctrine, you must:
? Analyze the threat you're most likely to face.
? Evaluate your physical and emotional assets.
? Select a doctrine that best fills your needs.
ANALYZE THE THREAT
The starting point for you and ever warrior must be a frank analysis of the
threat you're most likely to face. We live different lives, and the threats to
our safety, as well as constraints on our behavior, vary widely. A soldier
preparing himself for the field of battle sees a far different threat then the
executive preparing to cross a parking garage a night. A police officer may face
conditions as lethal as the soldier, but the ways in which he is allowed to
respond to those conditions are much more limited.
Most women face different threats than men. Where a man attacking another man is
most likely to strike with crushing force, he may be more likely to grab,
subdue, and intimidate a woman or simply take her belongings from her. But women
must also be prepared to face male attackers as brutal as if they were men.
So the first step in choosing a doctrine is to analyze the threat you expect to
face. Will most likely be life threatening or merely harassing? Will your
attacker be apt to strike you, or will he try to wrestle you to the ground? And
what can you do? Might you face criminal or civil penalties if you brutalize
your attacker, or can you leave him with his body broken and bleeding? All these
questions must be addressed and answered honestly before you can select an
appropriate doctrine for self-defense.
Equally important, you must evaluate your own physical and emotional
capabilities.
EVALUATE YOUR PHYSICAL AND EMOTIONAL ASSETS
Each of us is an individual with different physical and emotional
capabilities. This is critically important to remember when selecting a doctrine
to follow and, subsequently, a martial art to study. A 90-pound woman may not be
up to contract and rigors of training in judo or hard styles of karate. She
might not even be able to generate enough force to make those systems effective
in combat. On the other hand, very few ex-football players will have the
patience to study the soft, esoteric applications of tai chi.
Body type is crucial factor in selecting a martial doctrine. When I began
studying martial arts, I was tall and lanky, I sought an art best suited to my
body type.
Taekwondo, with its long range foot fighting approach, fit my needs. Using my
long and relatively powerful legs, I reasoned I could best hold stouter, more
muscular men at bay. But had I been a short, powerful man, I might have chosen
judo. That art would have taught me to quickly close with an opponent and throw
him to the ground where I could use my superior strength and the leverage of my
short limbs to wrestle or choke him into submission. The key is fitting the
belief system and, in turn, the method of combat to your strongest physical
assets.
For any martial art to be effective it must be right for you. You need the
capability-or at least the potential for developing it-to perform all the
physical techniques with speed and power.
But just as importantly, you must have the fortitude to carry out the violent
acts on your adversary that your chosen art may call for. For instance, if you
can't stomach the
groin-kicking and eve-gouging responses called for in karate, maybe you could
better defend yourself with the blending, controlling, throwing techniques of
aikido. What's important, is you must have both the will and ability to do in a
crisis what you're art attempts to teach you in the training hall.
Once you've settled these issues, you're ready to select a doctrine.
SELECT A DOCTRINE
Armed with a frank analysis of your abilities and an honest appreciation of
the threat at hand, you're prepared to select a doctrine to follow. But
unfortunately, it's not that easy. Schools don't advertise by publicizing their
doctrines, and most instructors wouldn't be able to explain their systems,
doctrines if you asked. So how do you select from the myriad of martial arts
doctrinal tenets of the arts you survey.
Most martial doctrines are easily recognizable in the arts that profess them.
You don't have to watch a shotokan karate class long to realize their doctrines
focus on forging the students' hands and feet into weapons and delivering them
in powerful, frontal attacks.
Likewise, it's just as apparent that the beliefs behind modern aikido discourage
meeting force with force, preferring instead to blend with and redirect an
attacker's strength against him. Some arts, however, aren't so easily analyzed.
The very soft arts, such as some Chinese systems, are based on subtle and
esoteric doctrines, not easily recognizable to the eye. One might watch tai chi
practitioners for hours without even realizing those slow, graceful movements
comprise a martial art, much less determine their doctrinal basis. So how do you
evaluate the doctrines of these systems?
Well, the easiest way is by reading.
Lots of articles and books have been published on most martial arts, and
although few come right out and state their doctrines, reading with an objective
eye and an opened mind can lead to a pretty sound understanding of the beliefs
put forth by the founder of each art.
Another source of information lies with the masters in your local area. Although
the most traditional masters may not answer many questions , some will the time
to talk with a potential student.
So now you've used the methods I've described and chosen a doctrine. Or perhaps
you've applied these principles to confirm the art you've studied for years is
really right for you. You're all set, right? Well, maybe not. What if the
doctrine you've chosen is too narrow? What if it's the best system you could
find but isn't up to all the threats you expect to face? Now that can be a
dangerous situation!
THE PITFALLS OF NARROW DOCTRINE
To explain the concept of doctrine and how it guides the development of
strategy and tactics, I used two examples: the development of strategic bombing
and Korean foot fighting doctrine. Both seemed to be based on sound, logical
principles, and both have enjoyed a degree of success. But have these doctrines
really proven valid? More importantly, at least to the air crews over Germany
and the fighters in the street, how successful have they really been in combat?
Both the strategic bombing doctrine and the Korean foot fighting doctrine have
valid points. Bombing the Germans around the clock forced them to tie up
millions of marks in the air defense. The repeated destruction of factories
caused a scarcity of some strategic materials and put strains on every facet of
Germany's economy. Likewise, competition in the ring and the streets has
demonstrated that Korean stylist can be formidable fighters;;
Many an attacker has lost his teeth trying to close the distance to strike or
grab a tang soo do or Taekwondo practitioner. But the principles professed in
these two doctrines aren't the universal truths their exponents would have you
believe. Strategic bombing didn't win
World War II. Despite the millions of bombs we dropped on German factories and
cities,
We failed to cripple the German war effort and we failed to break Germany's will
to wage war. In the end, conventional armies still had to defeat and occupy
Germany, street by bloody street.*
Nor is Korean foot fighting doctrine the panacea of unarmed combat. While legs
are longer and stronger than arms, for most people they're also slower. Exotic ,
multiple, high kicks leave the defender standing on one leg, dangerously
exposed. And focusing one's strategy and tactics on one set of weapons often
produces fighters who haven't learned to use their other weapons effectively.
Many Korean fighters have fallen to attackers who've managed to close the
fighting range to fight in close or grapple on the ground. Having concentrated
their training on kicking tactics, they discovered themselves vulnerable when
fighting nose to nose and all but defenseless when tangled up with their
opponents in the dirt.
The fact is, no one doctrine is universally true. While most martial doctrines
are based on sound principles, they are by definition beliefs, not facts. The
beliefs, which comprise martial doctrines, just as in religious or political
doctrines, all contain elements of truth. Therefore, they work in certain
situations. But the key here is each doctrine works in certain situations, not
all. No one martial doctrine deals effectively with all threats.
Warriors of the past knew this. You wouldn't have seen a bwarang warrior of
ancient Korea practicing kicking and punching at the exclusion of grappling. Nor
would you have seen a samurai Studying jujitsu while ignoring swordsmanship,
archery or horsemanship.
Modern soldiers are just as pragmatic. Have you ever heard of a soldier bent on
mastering hand grenade throwing while disdaining riflery, camouflage, and the
many other arts of modern warfare? Of course not.
So the problem with martial doctrines isn't that they aren't valid-they usually
work within context for which they were designed-the problem is that no one of
them works in all situations. Therefore, if we are to be warriors and not just
martial artist, we need to pursue a variety of doctrines and skills. Does this
mean I endorse the approach of those individuals who flit from school to school,
staying but a few weeks or months each? Absolutely not!
There are a few people martial arts master and instructors think less of than
those who move from school to school, sampling the systems taught but never
staying long enough to develop any true skill in them. Not only does this
behavior demonstrate a profound lack of self discipline, it insults all the
instructors involved.
You should never enter formal training in any martial art without making a
sincere commitment to learning that art thoroughly. Then how do you accumulate
skills in more than one art, and how do you organize this varied approach to
training? You do it by selecting a core art to study, then building around it.
BUILD YOU SKILLS AROUND A DOCTRINAL CORE
As I explained, the genesis of a warrior training involves finding the
martial doctrine most suited to your needs, based on your ability and the
threats you may face. The belief system will become your doctrinal core, and the
art it employs will become your core art.
Throughout the course of your life, you should devote the most time to mastering
your core art-it's the one that best fulfills your strategic requirements-and
the master you train under should be your principle instructor. But now you
realize no one doctrine is complete. So one you reach the black belt level in
your core art (never, before then), you need to critically examine the holes and
weaknesses in it and find other disciplines to fill those gaps.
For instance, a shout, powerful man may first practice judo to take the
advantage of his strongest assets, then take up karate to defend against
attackers who won't let him close and grapple. A women may first study jujutsu
to learn to defend against grabs, then a kung fu system to develop striking
power. A long, lanky taekwondo enthusiast may learn to kick well, then study
Japanese Karate tactics to learn to fight with his hands at close range, and
finally judo to defend against grapplers who manage to wrestle him to the
ground.
The first art each of these individuals chose to study becomes his or her core
art, and each will remain loyal to that art, devoting a lifetime to mastering
it. However, each also recognizes there are other skills he or she needs to
fight effectively in some situations, skills not provided by the individual's
core art. The true warrior pursues those skills, sometimes formally, sometimes
informally.
Our taekwondo saw value in the doctrines of Japanese karate and decided to study
those strategies and tactics. Since the techniques employed in karate and
taekwondo are very similar, he may not need to seek formal instruction. The
analytical ability he developed while evaluating doctrines will enable him to
develop the strategic skills he seeks by observing Japanese stylist train or
working with them informally. But when he takes up judo (likewise, when the judo
man studies karate or the jujutsu woman, kung fu), he'll need formal training.
That will require serious Commitment.
Never join a martial arts training hall on a whim, even if you don't intend that
system to be your core art. Consider seriously whether you really need to add
that art to your strategic arsenal. If you decide you do, then devote your
energy to reaching the black belt level before starting any other art. From then
on, be loyal to that master and plan to spend at least some of your training
time developing skill in that art.
By now, you've realized I'm talking about an enormous amount of time and effort.
The years it takes to earn a single black belt once seemed like an eternity to
you. Now, I'm asking you to master one art and earn black belt in others. But
that's what warriorship is all about; it's a lifelong commitment. But hold on,
there's more yet!
The final ingredient is integration. As you begin developing skills from a
variety of doctrines, you must learn to integrate them into an effective
personal arsenal. Our taekwondoist should learn to blend his Korean tactics with
those from Japanese karate. The judo man should learn to blend punching and
kicking with the with the grappling techniques of his core art. The final
product should be a smooth fighter, effective at all ranges, in any situation.
Don't get me wrong, I'm not advocating you develop your own system and teach it
to others. Remember, all system are artificial. What I'm saying is you must not
let your own fighting ability be limited by any one's narrow doctrine. You must
choose to be a warrior, not a martial artist.
You must master your own martial destiny.
POINTS TO REMEMBER: YOUR MARTIAL DESTINY
*** There are no superior or inferior martial
arts, there are only warriors and
non-warriors.
*** Warriors don't quibble over which system of
fighting is the best. They know no one system fits everyone's needs in all
situations.
*** Each martial art is based on doctrine, a set of
broad and general beliefs. People who study a single doctrine tend to shut out
ideas from other sources and convince themselves that theirs is the one and true
way of fighting. They become slaves to the very doctrine they profess.
*** Choosing witch doctrines to follow not only
determines what arts you will study, it drives how you'll develop your strategy
and tactics.
*** Choose each martial doctrine by analyzing the
threat your most likely to face, evaluating your physical and emotional assets,
then selecting the doctrine that best fills your needs.
*** Relying on one narrow doctrine is dangerous, so
build your skills around a doctrinal core.
*** The final ingredient is integration. As you
develop skills from a variety of doctrines, you must learn to integrate them
into an effective personal arsenal. The result should be that you become a
smooth fighter, effective at all ranges, in any situation.
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