Complete history and chronology of Kuang Ping Style

Kuang Ping Style

Another t'ai chi ch'uan offshoot from Yang Pan-hou is the Kuang Ping (also spelled Guang Ping) style, which Yang allegedly taught at one point in his life. It's interesting to note that there are very few similarities between the Kuang Ping style and the Wu style. The Kung Ping from is more open and linear, and it uses a more sideways-oriented stance. It also has very extended arm movements and sometimes appears to be a bridge between the Chen style and the Yang style. As in the older Yang forms, the upright stance is used.
The Kuang Ping forms use an upright stance and straight-leg heel kicks and jumping kicks. It is usually done at a faster pace, at least faster than the later Yang forms. The form also includes some fast step-up movements which are similar to those found in hsing-i ch'uan. Most of the techniques in the Kuang Ping form are different from those of the Chen, Yang, or Wu forms. Some people, such as Andrew Dale, a t'ai chi & pa-kua master in Seattle, say there is a large pa-kua chang emphasis in the form. Several versions of the style are taught today, mostly in California. Some other instructors teach the art but call it the Ch'en style.
Yang Pan-hou taught the Kuang Ping form to Wong Jiao-yu. His followers claimed it was a secret of the Yang family's that was never taught to the hated Manchus. Wong supposedly taught Kuo Lien-ying, who was already a master of northern Shaolin kung fu. Kuo was also a famous master of pa-kua chang. Kuo later shortened the form and taught his condensed version to thousands of students. When Mao Tse-tung seized power in China, Kuo fled to Taiwan and later to San Francisco's Chinatown, where he taught the art.
Kuo has many students who also teach versions of the Kuang Ping style; some of these are very different from what he taught. They include his wife Simone Kuo, Henry Look, Y.C. Chiang, Tom Brayne, and T.R. Chung. Kuo wrote two books, one of which was translated into English as Tai Chi Chuan in Theory and Practice, translated by T.R. Chung and has pictures of Kuo doing his form.


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